Image by Oliver Sealy
For Metro magazine I wrote a reported feature about one of the most crucial aspects of film financing – the star – and whether the New Zealand screen sector is focussing on this enough for the sustainability of our industry. You can read it here.
Illustration: Huriana Kopeke-Te Aho
For Creative New Zealand and Ensemble Magazine’s ‘Creative Wellbeing’ series, I wrote about how when we’re unable to articulate emotions through the barrage of the pandemic, the arts not only lift our mood but remind us of who we are.
I wrote about Silo Theatre’s production of Every Brilliant Thing and getting it onstage in between lockdowns for The Pantograph Punch. You can read it here.
Once we went into the first Aotearoa lockdown, I curated a list of online art for The Pantograph Punch. You can read it here.
I interviewed English playwright Morgan Lloyd Malcolm about her play Emilia at the Globe for The Pantograph Punch. You can read it here.
I reviewed Phoebe Waller-Bridge’s NT Live solo show version of Fleabag for Flicks.co.nz. You can read it here.
I wrote about Actressexual and allyship in a review of the show for The Pantograph Punch. You can read it here.
Three weeks ago, Fortune Theatre shut its doors after 44 years serving Otago and Southland. I analysed why on The Pantograph Punch. You can read it here.
I wrote about some of my favourite moments in Auckland theatre in 2017 for The Pantograph Punch. You can read it here.
FAFSWAG took up a residency at The Basement this year. I chatted with the collective about their year in the performance space for The Pantograph Punch. You can read it here.
I wrote about Silo Theatre's production of Peter and the Wolf for The Pantograph Punch. You can read it here.
I interviewed dramaturg and academic Fiona Graham about her new book Performing Dramaturgy. You can read it here.
I reviewed Pleasuredome for The Pantograph Punch. The piece won Best Review at the Auckland Theatre Awards 2018. You can read it here.
I reviewed Auckland Theatre Company's production of When Sun and Moon Collide for The Pantograph Punch. You can read it here.
I reviewed Red Leap's Kororareka: The Ballad of Maggie Flynn for The Pantograph Punch. You can read it here.
I had a conversation with three 15 year-olds who'd all seen Auckland Theatre Company's production, Boys, directed by Eleanor Bishop and Julia Croft. You can read it on The Pantograph Punch, here.
